Sunday, February 15, 2009

Naan Kadavul - Aham Brahmasmi

One line comment would be - A must watch.

But as far as this movie goes, this wasn't anything unexpected. The unexpected part was the comment that I got about the movie - "It is an excellent movie; but it is too raw that one can't watch it the second time". Something that you don't often get to hear about a movie.

The movie does leave a deep impact in you; but I wouldn't agree with the statement above. Put in a nutshell, the movie dwells about the concept of God, and the way He manifests Himself in the life of the poor. Bala has handled the concept so technically that you find it really hard to diagnose whether he is a theist or an atheist. The underlying message is that humans sometimes take up the role of (some aspects of) God which makes a difference in the lives of others who cross lines with those humans. It takes the Advaita concept one step further by assuming the responsibilities of God; in this specific movie, the case in point being Ahoris. A group of poor beggars exploited by a goon live in a South Indian town and an Ahori happens to come to their town. What happens beyond that is the realistic portrayal in Nan Kadavul. The scenes where physically handicapped people are tortured just move your heart; and the impact is left in you for one good hour. It takes a Bala to really combine the philosophies of life and death; with the social issues yet leaving the storyline intact.

Pluses:
Storyline,
Ilayaraja's BGM (simply amazing...),
Cast and their dedication. Arya and Pooja have done a great job; and more importantly there are just a part of the movie. Not a typical Tamizh movie hero or heroine who occupies every frame of the movie.
The natural conversation among the beggars is just amazing... They have their share of fun too; but the topics they discuss would be of their levels and understanding. That was so naturally portrayed. (I specifically loved "Aamaa ivaru periya Ambani... Yaarraa adhu? Adhellaam unakku teriyaadhunne... Cell phone vikkiravainga" :))
Vaali's lines in Picchai paatthiram and the way it has been brought into the movie... Simply mindblowing.

Minuses:
Arya's Sanskrit/Tamizh. Sometimes he talks Tamizh like a Northie and some other times he talks it like a native rural speaker.
Very poor graphics.
Some level of commercialization of the subject (come on... it's a Tamizh movie and without this the movie won't even get to B or C centers),
villain is portrayed like a dumbo. A man with that level of network comes all alone to fight Arya as if he has fixed his appointment for death.
I'm not sure if Pooja's voice was dubbed; but irrespective of who did it, I felt it could've been done better. The same holds good to her acting in the scenes she cries... But for a person who can get Laila to act, getting work done from Pooja should be a cakewalk.

Overall, if you love philosophy and the way philosophy, religion mingles with the routine activities specifically on the darker side, Naan kadavul is just the movie your are looking for.

2 comments:

Vinu said...

Vaali's lines in Picchai paatthiram and the way it has been brought into the movie... Simply mindblowing.

The lyrics for pitchai paatahiram was penned by Ilaiyaraja. This song is from Rajavin Ramana Maalai. Here this song in his own voice.

http://www.youtube.com/watch?v=jZtQirb1yIU

Agni said...

Nandri for the information thambi... Naan andha paattukku lyrics ezhudhinadhu vaali dhaanaa nu confirm panna muyarchiyellaam edutthu paatthaen... Aanaa onnum sikkala! So I assumed it would be Vaali...

Indha paattukae oru thani post paodalaam nu irundhaen... Aanaa yaaru ezhudhinadhu nu sariyaa teriyaama paoda vaenaam nu hold la paottaen :D